This is the sixth of a 6-part series on the W’s. Coming into the home stretch.
WHAT is happening? – Apparent Event
WHAT do you want? – Actual Event
WHERE are you? – Environment
WHO are you? – Character and Relationship
WHAT is the obstacle? – Conflict
WHAT just happened? – The Moment Before
What Just Happened? – The Moment Before
This part is essential for an actor, as it determines his character’s state immediately before the scene starts. Does he come in calm, cool, and collected, or does he enter in a rush, frazzled, beside himself. The moment before matters. It’s vital. It determines the audience’s first glimpse of that character in that particular scene.
But what if you’re a novelist? Does the moment before matter for your characters on the page?
Maybe it matters more than it does to an actor.
The Moment Before Can Be Told
For an actor, the moment before is only shown through the lens of behavior; the audience will never see it, unless it’s from the scene immediately preceding. For a writer… ah, for a writer the moment before can come alive on the page.
Remember, the unique strength of prose is that it reveals the characters’ inner lives. Their internal voices. For a writer, their characters’ moments before not only can be told, those moments must be told for the narrative to make sense.
Let’s go back to our birthday party example. You know the apparent event, the actual event, the environment, a relationship, the conflict, and now you give your hero a moment before. She’s just been evicted. She’s effectively homeless now.
Would that change the way she approaches the conflict? Absolutely, desperation makes people do odd things. Would being evicted change the way she approaches the apparent event? Of course, maybe she now thinks she has nothing to lose… or, maybe she’s already lost too much and needs to re-think things.
The Resolution Of A Scene Leads To The Next Moment Before
This only stands to reason, but so many writers forget it. No matter how the particular scene you’re writing ends, it’s the moment before for the next scene. Every new beginning comes from some other beginning’s end, as it were.
In our example, let’s say our hero musters up the courage to go through with it, and tell her ex-husband she’s moving across the country with their son. How does the husband react? Not well, obviously, or there wouldn’t be much of a story. But say he threatens the hero, tells her that she can run but she can’t hide. He’s going to find her no matter what.
What does the hero do next? Whatever it is, it’s going to be with that threat hanging over her head.
Of course, the resolution of the scene for the ex-husband is also his moment before his next scene.
Next time: we’ll put it all together.