Last time (The Contract pt. 1) I went over the negotiation process, or at least how I approached it for my contract. TLDR – know what you’re getting yourself into before you sign, and get all the help you need to reach that understanding.
I signed, they signed, we now have a legally binding document that outlines our obligations to one another as we go about getting my novel published.
Sweet. But… hold on a second. I wrote the novel, isn’t my part in this exercise pretty much over? Not even close. If you want to get your book in someone else’s hands – and have them pay you for it – then finishing a novel is just the very first part. Your publisher is putting themselves out for you, especially if you’re a first-timer, and you need to realize you have obligations too.
In the contract, my publisher outlines very specifically what marketing they’re going to do for me. For example:
- Provide PR leads
- Promote my book on their website and on social media
- Outreach to influencers
- … etc
The contract also outlines what marketing I agree to do. For example:
- Build a website (where you are right now)
- Journalist and influencer outreach
- Contacting reviewers and responding promptly
- … etc
This is a lot of promotion and glad-handing, and we haven’t even gotten to the editing process yet! Hokey smokes, can’t I just write stuff?
Nope. Being an author means, in the parlance of our times, you gotta hustle. My publisher will do everything they can to make my novel a success, but I can’t just lay back and wait for the cash to roll in, I have to take an active role in my own success. I have no problem doing that, I actually like it, but if you’re the kind of person who really would rather not, you’re going to need to get over it. If you want someone to buy your book, they need to know that it exists in the first place. Like it or not, you’re your own marketer.
While you’re revving up your marketing engine, you’ll also be going through the editing process. I’ll get into more detail as my novel reaches those stages, but in the contract there is section dedicated to the editing process. This is perhaps the most collaborative section, since the publisher and the author need to work closely on edits. The publisher protects itself, however, by outlining that when the author is unable or unwilling to make edits, the contract terminates immediately.
Honestly, I’m behind the publisher on this one. If you’ve gone through the effort to find this work and execute a contract to publish it, and the author digs in his heels and won’t make changes to the manuscript to make it fit for publishing, they’re not really someone you want to work with anyway. As I’ve outlined elsewhere, authors used to working alone might have a problem becoming part of a collaboration.
The contract also includes sections for royalties, payments, subsidiary rights, sequel rights, controls, translations, termination, auditing, etc. If you really want to go over any of that stuff, let me know, I can make another post about it.
The process starts in earnest tomorrow. I’ll fill you in as it moves along.
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